Skip to main content

                                  HOW TO MEND A TORN CANVAS

     You are in the middle of an exciting painting and OOPS you get a tear in the canvas!  That is exactly what happened to me one day.  I was really upset as it was a good painting!  The tear was not in the middle of the canvas, but was at least an inch long.  I didn't know what to do.

     It just so happened that I was attending a workshop with a well-known artist.  I happened to mention it to him and asked him if it could be repaired.  He told me to bring it in and he'd teach me how to do it. It turned out to be an easy process, thank goodness!  The nice part about this repair is that if it is done correctly, it is permanent!

So, here is the way to do it:

FIRST:  Cut a piece of canvas that is larger than the hole (1/2" all around is good). You can purchase folded canvas, but it can be expensive. However, you may have an old stretched canvas you can cut up, or just purchase a cheaper stretched canvas to keep for just such a situation.  The instructor said that sometimes there is extra canvas fabric on the back of your painting that can be cut off and used.  I'm not sure that is the case anymore, but you can always check.

SECOND:  Lay the torn canvas face down on a flat surface, then using Elmer's glue, apply a coat of glue to your repair piece of canvas and press it firmly over your tear on the BACK side of the torn canvas. Carefully wipe away excess glue, then place HEAVY items (books, etc) on the patch as a press until it is thoroughly dry.  About a day is good for it to cure and be well pressed.

THIRD:  After thoroughly dry, turn over painting and check to see if any touch-up painting is necessary.  In my case, something had fallen against the canvas tearing it, causing a jagged tear.  But even so, when we turned it over, the tear was no longer even visible!  I was thrilled to say the least.  But the instructor seemed surprised, he said that normally some touch-up is necessary.

     I have since had to repair a second canvas.  This one tore along the stretcher bar.  I'm not sure what caused that tear, but I used the same technique of repair and it came out nicely.  So now I don't panic when I see damage!

     I kept that first painting so I have a photo below of the patch for you to see.  A patch will always be visible on the back, so don't assume otherwise. You must decide whether to disclose that patch to any prospective buyers.  It shouldn't be a problem, but you never know.  I have not sold either painting, instead I played it safe and decided they would be used as gifts.




                                                    This is the back with the patch over the tear.

 As you can see, there is no sign of the tear on this repaired canvas.  Even so, I decided not to sell the painting.


Comments

Popular posts from this blog

IT'S HERE!  THE BIG ART SALE!!

 PLEASE LOOK THROUGH ALL OF THESE AND CHOOSE AS MANY AS YOU LIKE!
Sale prices will be in effect until all these paintings are gone!

        I will accept cash..or a credit card.  If local, pick or or delivery has no shipping charge.  Shipping for 11x14  or smaller should be no more than $8-$15 (USPS priority) depending on where you live. Larger paintings will be more.  I recently shipped an 18 x 24 painting and the shipping (UPS ground) charge was very reasonable ($35) REST ASSURED I WILL SEND THE CHEAPEST ( while still safe) WAY POSSIBLE!

   TO PURCHASE:  TEXT - 904-710-6721 = OR EMAIL : dodsondara@gmail.com


                                   THESE ARE ALL ORIGINAL PAINTINGS!





















THE" PROCESS" OF PRODUCING A PAINTING

     It has been a while since I showed the steps I go through to produce a painting.  I am working on a large one right now, so I decided this one would be a good candidate to go through this process again for those of you that are not familiar with it.

     A friend posted a photograph on social media of a scene on the central coast of Florida.  I really liked it, so I asked her permission to paint it and she readily agreed.  This scene is of huge cumulus clouds over the sand dunes.  I knew I wanted to focus on the clouds so I chose a canvas that is 36 x 48 gallery wrap.  I have the photo below.  This is a really nice photo, but the painting will be done in lighter colors I decided.




     I painted the entire canvas a light blue for the sky including the sides.  After it dried, I went back and it was darker than I wanted (acrylics dry darker, remember) so I went back over the top third with a shade lighter…
GALLERY  REPRESENTATION!!

     Over the past months I have been giving you information and suggestions on how to approach galleries for representation.  Hopefully you have been putting this information to work for you. I had been too busy painting to actually do it myself.  I wanted to have enough work built up (20-25) that I felt was gallery quality before I applied.  Finally, I felt that I was ready and started researching galleries that were in line with my art style.  
     I decided to approach a gallery outside of St. Augustine because galleries here are large and have many national artists.  This makes it more difficult to get representation.  So landing a gallery outside this area first gives me more credibility in the St. Augustine market down the road.  Keep in mind that many artists are represented by multiple galleries!  
     Following my own advice, I researched galleries and the artwork they carry.  I looked at all the artwork on …