Skip to main content

Posts

Showing posts from April, 2018
REPAIRING A PAINTING THAT HAS GONE "WHITE"

     When I was unloading art for the Art Show, one of my pieces had a spot of "white" on it.  I  assumed that somehow moisture had gotten under the varnish, turning it white.  How does one repair that kind of damage?

     This particular painting has a heavy coat of varnish on it which could actually be the reason for the problem.  You see when I originally coated it, I noticed that the varnish was uneven.  Heavier in the corners than in the middle.  So I tried to go over it with another coat heavier in the middle to even it out.  It looked ok at first, but when I took it out of the packing material one corner was white as though something had spilled on it.  Needless to say, I couldn't hang it at the show.  Now what?

     I will sand it down lightly with a very fine grit sandpaper 220 or higher.  Then I will recoat the varnish LIGHTLY!  A lesson to be learned here is DO NOT use too much varni…
I WAS ASKED TO JUDGE A SHOW!

     I got a phone call from the St. Johns County Education System the other day.  They asked me if I would be willing to be the judges for an Art Show for middle school students.  It is being held at the St. Augustine Art Association here in St. Augustine.

     Since I teach art to both youths and adults, I decided this would be so much fun! I really enjoy children and their creativity levels can be through the roof, so to speak.  It was very interesting to see what each one came up with.  There were quite a few categories of art to be judged, ranging from drawing, painting, and photography or graphic arts, to 3-D art, or sculpture and paper mache.

     Held on Thursday, April 5th, it took a while to go through all the 128 pieces of art and narrow it down to the winners, but in the end we (me and the 2 ladies at the art association helping me) made a decision.  The winners are...I took some photos and posted them below fo…
SHOULD ARTISTS WORK IN SERIES?

     Some artists paint individual paintings as they are moved by a subject or feeling.  Others work in a series of paintings.  Is one better than the other?  Should we as artists work in "a series"?  Good questions indeed!

     Let me start by saying, Yes!  That is exactly what a gallery likes to see!  It usually means more followers, collectors, and sales for the artist and the gallery that represents him or her.  It represents consistency to the gallery, and we all know consistency is a good thing for an artist.  It is the foundation of our work.  We want to tie our work together, or make it cohesive through our style, colors, theme, palette, medium or subject matter.

      Most galleries will choose to represent an artist based on their consistency.  Strength in composition, style, and quality of work is the most important factor in getting representation.  But, working in "a series" can also be a …
HOW TO MAKE FLOAT FRAMES

     We want to present our paintings well and often that means putting them in a frame.  But, frames can be very expensive.  So what do we do?  Learn to make a frame! Now, I'm not talking about fancy ornate frames here.  I'm speaking of making the float frames that are so popular these days.  And, thankfully they are not difficult to make if you have the right tools.  This frame is for a 3/4" deep gallery wrap canvas, not the 2" deep gallery wrap.  The directions for the 2" deep canvas are at the bottom.

     My husband and I purchase 1" x 2" x 8' SELECT PINE boards at Home Depot.  These run $5.82 per piece.  For a 36 x 48 painting, it requires 8. I save the leftover wood for smaller paintings.  So let me run you through the process.  To do this you will need:

enough wood for your frame (according to your measurements: it takes 2 pieces of wood per side)
Power saw or compound mitre s…