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                       MY  SECOND "NATURE AND WILDLIFE" SUBMISSION READY!

     Ok,  it is done and ready to submit.  This is a painting of the St. Augustine area salt marsh on the Matanzas River. I am going to name it "Matanzas River Inlet".  It again has a lot of detail which is necessary for this show.  I am not sure what my third submission will be, but at least I have time to think about it.  We cannot submit any paintings we have shown there before and they must be for sale which knocks out the one I was going to submit.  I don't want to sell it!  So when I decide on what I want to do I'll let you know, ok?  The photo is below, I hope you like it!



I let this set for a couple weeks to see if I thought it was done.  It wasn't...it just needed more.  So I added more birds, more orange to the front left grass to give more depth, and increased the height of the background trees on the far left. Plus I added more purple to increase the depth of the shadows, etc. and of course increased the highlights of the trees.  I finally have declared it finished.  Just remember,  the more you do highlighting and darken shadows, the more 3-D effect you get.



"MATANZAS RIVER INLET"
Scenes of St. Augustine collection
18 x 25
Acrylic
It is interesting.  I was looking at this painting and something kept "niggling" at me.  I finally decided after a few days of looking that it isn't finished after all.  I am going to do some refining of the two largest palm trees.  Actually, I am going to add another taller tree among the group.  The group just needs to go further up into the sky and further to the left.  And, the tree that looks in the middle is actually supposed to be in the FRONT of the biggest tree not behind it as it sits.  Like I said, it pays to look at a painting for a while before we varnish.  We usually find mistakes when we do! I actually think I will tone down the background grass also.  Ok, so I have fixed this painting.  Interestingly, I did NOT make the middle tree look like it is in front.  I just made the trunk longer as though it is going THRU the top of another tree and added greenery at the top of that trunk.  (see photo on the next post)  Then I added a smaller trunk BEHIND the other two that ends in the original green top of the middle tree.  Rather a good answer to the problem if you ask me!  So the REAL finished photo is below!



The REAL and FINAL   "MATANZAS RIVER INLET"

HEY, WE ARE THE ARTISTS RIGHT?  WE HAVE THE RIGHT TO SAY WHEN A PAINTING IS OR IS NOT DONE,  LOL!!











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IT'S HERE!  THE BIG ART SALE!!

 PLEASE LOOK THROUGH ALL OF THESE AND CHOOSE AS MANY AS YOU LIKE!
Sale prices will be in effect until all these paintings are gone!

        I will accept cash..or a credit card.  If local, pick or or delivery has no shipping charge.  Shipping for 11x14  or smaller should be no more than $8-$15 (USPS priority) depending on where you live. Larger paintings will be more.  I recently shipped an 18 x 24 painting and the shipping (UPS ground) charge was very reasonable ($35) REST ASSURED I WILL SEND THE CHEAPEST ( while still safe) WAY POSSIBLE!

   TO PURCHASE:  TEXT - 904-710-6721 = OR EMAIL : dodsondara@gmail.com


                                   THESE ARE ALL ORIGINAL PAINTINGS!





















THE" PROCESS" OF PRODUCING A PAINTING

     It has been a while since I showed the steps I go through to produce a painting.  I am working on a large one right now, so I decided this one would be a good candidate to go through this process again for those of you that are not familiar with it.

     A friend posted a photograph on social media of a scene on the central coast of Florida.  I really liked it, so I asked her permission to paint it and she readily agreed.  This scene is of huge cumulus clouds over the sand dunes.  I knew I wanted to focus on the clouds so I chose a canvas that is 36 x 48 gallery wrap.  I have the photo below.  This is a really nice photo, but the painting will be done in lighter colors I decided.




     I painted the entire canvas a light blue for the sky including the sides.  After it dried, I went back and it was darker than I wanted (acrylics dry darker, remember) so I went back over the top third with a shade lighter…
GALLERY  REPRESENTATION!!

     Over the past months I have been giving you information and suggestions on how to approach galleries for representation.  Hopefully you have been putting this information to work for you. I had been too busy painting to actually do it myself.  I wanted to have enough work built up (20-25) that I felt was gallery quality before I applied.  Finally, I felt that I was ready and started researching galleries that were in line with my art style.  
     I decided to approach a gallery outside of St. Augustine because galleries here are large and have many national artists.  This makes it more difficult to get representation.  So landing a gallery outside this area first gives me more credibility in the St. Augustine market down the road.  Keep in mind that many artists are represented by multiple galleries!  
     Following my own advice, I researched galleries and the artwork they carry.  I looked at all the artwork on …