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     First, and FOREMOST: You MUST use gesso, gesso, and MORE gesso!  By that, I mean you coat your canvas AT LEAST three times with gesso, letting it dry between coats.  This is true even if you have purchased a "precoated" canvas, one that has already been coated with gesso. This is easiest if you use a Hake brush. (usually a 2" flat goat hair brush) I have an older one I use. You can use any brand of gesso for this.*  The triple coating of gesso makes your canvas smoother and allows the paint to sit on top smoothly instead of sinking into the "teeth" of the canvas.  You've seen this and maybe haven't noticed it before, but it looks like the artist skimped on paint, trying to use as little as possible, and the painting suffers as a result.

     Triple coating the canvas with gesso allows the brush strokes to be seen and also allows the colors to shine!  Which means of course that we as the artist will SHINE!!!
   
     I will take a day and coat as many canvases as I have room to lay out so that when I am ready to paint, I always have a properly "prepared" canvas.

     Also, you may use gesso instead of Titanium White for painting.  It MUST,  however, be GRUMBACHER'S brand, which is much thicker than other brands or it won't work.  Of course, that's assuming you are using ACRYLICS. It can be used with oils, but best to do that only if you are a more experienced artist.

*Be sure to remove any lumps or hairs that may get onto your canvas.  Enough of those will get into your art as you paint.  Don't need any extras right?  BTW,  if you do get hair in your work as you paint, remove it if you can do so easily with the brush: if it will mess up your work, let the paint dry, and then "roll" off the hair with your finger by rubbing the canvas.  Don't worry if it won't come off.  Many masterpieces have hair in them!!!

     Tha's all for now, this gives you a good starting point to becoming an artist!  So get busy with the gesso and I'll be back tomorrow (or soon) with more tips for you!  Thanks for visiting!  I will post some of my work for you to see as well.  The painting at the top is the latest of my "SCENES OF ST. AUGUSTINE" to be sold.

   

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IT'S HERE!  THE BIG ART SALE!!

 PLEASE LOOK THROUGH ALL OF THESE AND CHOOSE AS MANY AS YOU LIKE!
Sale prices will be in effect until all these paintings are gone!

        I will accept cash..or a credit card.  If local, pick or or delivery has no shipping charge.  Shipping for 11x14  or smaller should be no more than $8-$15 (USPS priority) depending on where you live. Larger paintings will be more.  I recently shipped an 18 x 24 painting and the shipping (UPS ground) charge was very reasonable ($35) REST ASSURED I WILL SEND THE CHEAPEST ( while still safe) WAY POSSIBLE!

   TO PURCHASE:  TEXT - 904-710-6721 = OR EMAIL : dodsondara@gmail.com


                                   THESE ARE ALL ORIGINAL PAINTINGS!





















THE" PROCESS" OF PRODUCING A PAINTING

     It has been a while since I showed the steps I go through to produce a painting.  I am working on a large one right now, so I decided this one would be a good candidate to go through this process again for those of you that are not familiar with it.

     A friend posted a photograph on social media of a scene on the central coast of Florida.  I really liked it, so I asked her permission to paint it and she readily agreed.  This scene is of huge cumulus clouds over the sand dunes.  I knew I wanted to focus on the clouds so I chose a canvas that is 36 x 48 gallery wrap.  I have the photo below.  This is a really nice photo, but the painting will be done in lighter colors I decided.




     I painted the entire canvas a light blue for the sky including the sides.  After it dried, I went back and it was darker than I wanted (acrylics dry darker, remember) so I went back over the top third with a shade lighter…
GALLERY  REPRESENTATION!!

     Over the past months I have been giving you information and suggestions on how to approach galleries for representation.  Hopefully you have been putting this information to work for you. I had been too busy painting to actually do it myself.  I wanted to have enough work built up (20-25) that I felt was gallery quality before I applied.  Finally, I felt that I was ready and started researching galleries that were in line with my art style.  
     I decided to approach a gallery outside of St. Augustine because galleries here are large and have many national artists.  This makes it more difficult to get representation.  So landing a gallery outside this area first gives me more credibility in the St. Augustine market down the road.  Keep in mind that many artists are represented by multiple galleries!  
     Following my own advice, I researched galleries and the artwork they carry.  I looked at all the artwork on …